My Artistic Vision
I want my designs to be unique, touch­able, beau­ti­ful to see and com­fort­able to wear. I want designs that endure the cur­rent fash­ion col­ors and styles so that it will not end up under a pile of newer things by the end of the year. Finally, I want each piece to have an owner out there unknown when I make it but who will ulti­mately find it and love it.
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Archive for the ‘Metal Clay’ Category

Website Redesign Complete

I have fin­ished my rework of the web­site. I have a new kiln and a new stu­dio to go with it. I have 750 grams of clay includ­ing sil­ver, cop­per, bronze and white bronze. I have so many design ideas it has been trou­bling me where to start. However, I do have two promised pieces to work on so per­haps that will be my first start. I do have a copper/silver alloy pen­dant to post about later this week.

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Working With Silver Clay – Part II

I con­tin­ued to explore work­ing with pre­cious metal clay (PMC). totally untu­tored rely­ing on read­ing and try­ing, my pre­ferred learn­ing method. There are plenty of detailed instruc­tions both online and in mag­a­zines and books. I got some good results with this piece which included set­ting a cubic zir­co­nia in the sil­ver leaf. Zirconia works beau­ti­fully in metal clay. I mis­judged the size of the piece and it is prob­a­bly a bit smaller than it should be in this necklace.

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Working With Silver Clay

In the pre­vi­ous post I men­tioned metal clay as one of the jew­elry media that I like work­ing with. One com­ment asked about it. This post chron­i­cles my first attempts with pre­cious metal clay (PMC). Metal clay seems to be a mis­take when one first hears of it.  Briefly, it is actual pow­dered met­als, most often sil­ver because of the cost but also gold and most recently bronze, mixed with clay and water. The clay can be molded, shaped, and carved then dried. It is then fired in a kiln or with a hand­held torch or small gas fired stove depend­ing on the type of clay. The clay burns away leav­ing ster­ling sil­ver or 14k gold. The clay can be com­bined with wire and with some very hard gem­stones. The ring at left, Twisted Twig Ring, is made from ster­ling sil­ver wire and pre­cious metal clay. The wire formed the basis for the ring and the clay, in the form of a paste, was used to fuse the wire. I pol­ished and shaped and sized the ring with filing.

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